There's a great historical perspective as to what everyday life was like for a formerly upper middle-class Hoosier family during the Depression as seen through the eyes of the 12 year old daughter. "While it's hard to think of a story set during the Great Depression at Christmastime as being a "good read", this one really is. "All in all a wonderfully heartwarming, highly readable and cozy holiday story that promotes the importance of valuing family and small blessings!" In her fictionalized journal, eleven-year-old Minnie Swift recounts how her family dealt with the difficult times during the Depression and how the arrival of an orphan from Texas changed their lives in Indianapolis just before Christmas 1932.
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The problem is that while Henry's age darts back and forth according to his location in time, Clare's moves forward in the normal manner, so the pair are often out of sync. During one of these migrations, he drops in on beautiful teenage Clare Abshire, an heiress in a large house on the nearby Michigan peninsula, and a lifelong passion is born. He disappears from a scene in, say, 1998 to find himself suddenly, usually without his clothes, which mysteriously disappear in transit, at an entirely different place 10 years earlier or later. Niffenegger has written a soaring love story illuminated by dozens of finely observed details and scenes, and one that skates nimbly around a huge conundrum at the heart of the book: Henry De Tamble, a rather dashing librarian at the famous Newberry Library in Chicago, finds himself unavoidably whisked around in time. This highly original first novel won the largest advance San Francisco based MacAdam/Cage had ever paid, and it was money well spent. To figure out the “between you and me” part, you need to know that I is a subject pronoun, and me is an object pronoun. If I say “Louis loves you,” you are the object (the target of Louis’ love and the object of his affection). If I say, “I love Louis,” I am the subject (the one doing the loving).
In particular, it is often hard to tell which character is speaking as the narrator's voice sounds very similar for each one, which is a huge shame as all of the characters in the book are expertly depicted by Julian May in such depth that you can feel yourself becoming drawn into their world. The only thing that lets the book down, hence only 4 stars, is the narrator who, for me, fails to bring the characters to life. As you would expect, the audiobook itself follows the book to the letter and I felt that same familiar thrill of being transported back in time to the Pliocene era, with all its many wonders, that I felt upon first reading the book back in the 1980s. Now that the first book in the series, The Many-Colored Land, has been published, I hope it will not be too long before the rest are made available. As a huge fan of Julian May and in particular her Saga of the Pliocene Exile series of books, I have been searching in vain for the books in audiobook format for a long time and so was delighted when I saw that this criminal omission had finally been addressed. Chen’s hands, the myth and legend of Joan of Arc is transformed into a flesh-and-blood young woman: reckless, steel-willed, and brilliant. From this chaos emerges a teenage girl who will turn the tide of battle and lead the French to victory, becoming an unlikely hero whose name will echo across the centuries. France is mired in a losing war against England. “A secular reimagining and feminist celebration of the life of Joan of Arc that transforms the legendary saint into a flawed yet undeniable young woman.”- USA Todayġ412. “It is as if Chen has crept inside a statue and breathed a soul into it, re-creating Joan of Arc as a woman for our time.”-Hilary Mantel, #1 New York Times bestselling author of the Booker Prize winner Wolf Hall If every generation gets the Joan it deserves, ours could do worse than an ass-kicking, avenging angel fighting simply for the right to fight.”- The New York Times Book Review However, despite the hardships of working under Virginia's Jim Crow laws, these women went on to help the United States make major advances in its aeronautics and astronautics programs as well as declare victory over Russia in the Space Race. And, for black women like Johnson, Jackson and Vaughan they were segregated from white women in the workplace. Women often worked in separate rooms from men at NASA. The history making work of these women took place at an intersection of important movements in American history, including the burgeoning struggle for civil rights and the fight for gender equality. “Hidden Figures” recounts the little known true story of pioneers like Katherine Johnson, Mary Jackson, Dorothy Vaughan and other black female mathematicians or “human computers” as they were called who worked for NASA. Brings Mary Jackson's legacy to the big screen! #hiddenfigures /tyN1ghMBaC- Margot Lee Shetterly August 17, 2016 It is full of gorgeous, incongruous imagery. The tone is wistful, mysterious, winsome, disturbing, seductive. But it is a genre that he has invented himself, drawing elements from fantasy, noir, horror, sci-fi, and the genre we call 'literary fiction.'. writes genre fiction-formulaic, conventional, with an emphasis on plot. The mesmeric pull of Murakami's fiction lies in this tension between the narrator's perfectly ordinary existence and this shadow world, which might reside in our subconscious or even in an alternate universe, where we are free to enact our darkest, most violent, most perverse fantasies. In fact, as we soon learn, Tsukuru's obsession with death is only the beginning. In Murakamiland, death means merely traveling across a 'threshold' between reality and some other world. Then again, given the remarkable continuity of his fiction, nearly every Murakami novel feels like a new volume of the same meganovel, a vast saga that is now approaching 7,000 pages in length. Nobody else could have written this novel, or dared to try. there is only a single moon in the Tokyo sky. Though we know where we're going, and must endure plenty of bumps in the road, the trip is rarely boring, his company is amiable, and we can rest assured that he will take us to strange places we've never been before, except perhaps in dreams. "Murakami is a charming travel companion. (I'll definitely be discussing it shortly in the Forgotten Vintage Children's Lit We Want Republished! group, which I heartily invite you to join!. It's awesome - it's right up there with A Visit to Folly Castle and The Oak King and the Ash Queen for out-of-print and sadly not yet digitized retro reads that I wholeheartedly encourage you to track down and purchase secondhand. Thankfully, there's so much richness and depth and effort put into this story, that my prejudices would have been unfounded. What interesting story could possibly be borne of one of my least favourite nursery rhymes? If I had read ahead of time that this out-of-print 70s children's fantasy was based upon that nursery rhyme, I'd have given it a miss. Hey Diddle-diddle, the cat and the fiddle, the cow jumped over the moon the little dog laughed to see such sport, and the dish ran away with the spoon. Matthew West has stayed and flourished in his home town of Marietta as a small animal veterinarian. She returns to her hometown hoping her parents will take Emma, but they are devastated with grief and barely functioning. What she finds completely surprising is that her sister named her the guardian of her 4 year old niece, Emma and her puppy, Roscoe. For ten years she is singularly focused and is about to realize her dream and be named the sous chef of a trendy Manhattan restaurant when she gets the call that her sister and husband where killed in a car crash. This is both a funny and heartbreaking contemporary romance that is an enjoyable read.Ĭarolyn Hanson left small town Marietta and her high school boyfriend in her rear view mirror after graduation for her dream of being a top chef in NYC. A TEASPOON OF TROUBLE by Shirley Jump is the first in The Bachelor Bake-Off series all set in Marietta, Montana and written by various authors. The history of our country the past hundred years has been a series of assumptions and usurpations of power over woman, in direct opposition to the principles of just government, acknowledged by the United States as its foundation, which are:įirst-The natural rights of each individual. Yet we cannot forget, even in this glad hour, that while all men of every race, and clime, and condition, have been invested with the full rights of citizenship under our hospitable flag, all women still suffer the degradation of disfranchisement. Our faith is firm and unwavering in the broad principles of human rights proclaimed in 1776, not only as abstract truths, but as the cornerstones of a republic. While the nation is buoyant with patriotism, and all hearts are attuned to praise, it is with sorrow we come to strike the one discordant note, on this one-hundredth anniversary of our country’s birth. Anthony, and Matilda Joslyn Gage, eds., History of Woman Suffrage, 6 vols., vol. |